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WME backs The New York Times copyright case against OpenAI and Microsoft

4 NOVEMBER 2026·2 MIN READ·5 SOURCES

WME filed a brief supporting the news plaintiffs’ opposition to OpenAI and Microsoft’s fair-use summary-judgment motions in The New York Times’ copyright case. Its filing joins briefs from other entertainment organizations and unions.

WME backs The New York Times copyright case against OpenAI and Microsoft

Key takeaways · 4

  • 01

    WME’s brief supports the news plaintiffs’ opposition to the defendants’ fair-use summary-judgment motions.

  • 02

    WME says creators should be able to choose whether and on what terms their protected work is used to develop or train AI systems.

  • 03

    WME argues that lost licensing fees count as market harm and that unauthorized use can damage the market for AI licenses.

  • 04

    Other filings came from talent organizations, unions and music-industry groups.

WME enters the fair-use fight

WME’s brief supports the news plaintiffs’ opposition to the defendants’ summary-judgment motions on fair use.[2] WME says it is not seeking to stop AI companies from using creative materials, but wants that use to be licensed.[2]

WME’s case for licensing

WME argues that a robust market already exists for licensing copyrighted work for AI use, and that unauthorized use harms that market.[2] The agency says creators should be able to decide whether, and on what terms, their protected work is used to develop or train AI systems.[2] It also argues that unauthorized access can help AI companies produce substitute or derivative works and performances, and that lost licensing fees constitute market harm.[2] WME says paying for creative work would not stop AI, comparing it with payment practices in radio and streaming.[2]

A broader group of filers

WME’s filing followed briefs from CAA, the Human Consent Fund, SAG-AFTRA and the WGA.[1] Separate filings came from the Recording Industry Association of America, the National Music Publishers’ Association, ASCAP and BMI, as well as SAG-AFTRA, the American Federation of Musicians and the Writers Guild of America East and West.[3] A coalition of organizations represents creative talent across music, film, television, performing arts and creative writing.[3] The filings show that the dispute has drawn groups from multiple parts of the creative industries.

What the filings say is at stake

The case could have far-reaching implications for how Hollywood manages its intellectual property in the AI era.[1] Axios describes it as a proxy fight over the future of the broader creative economy beyond journalism.[3] A brief filed by the Human Consent Foundation voiced support for The Times from Anne Hathaway, Bette Midler and Madonna.[3] WME also says it represents AI startups such as Toonstar, an AI-powered animation studio whose business is built on authorized content.[2] The filings present competing questions about authorization, compensation and fair use; the evidence here does not establish how the court will resolve them.

WME says AI use of creative materials should be licensed, authorized and properly compensated. Its brief argues that unauthorized use harms an existing licensing market, and that creators should decide whether and on what terms their work is used to develop or train AI systems.

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How this developed

  1. 4 November 2026

    WME backs The New York Times copyright case against OpenAI and Microsoft

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